Publications





“Ecological Witnessing”, in Crone, Bridget, Nightingale, Sam, and Stanton, Polly, eds, Fieldwork for Future Ecologies (Eindhoven: Onomatopee, 2022.

“Hexachloroethane Horizons”, in It’s Freezing in LA, issue 9: Health, May 2022.

Black Ecologies, MARCH: a journal of art & strategy, issue 2, Oct 2021.

“South is a state of sacrifice”, in South, Failed States: A journal of indeterminate geographies vol. 4, London, Feb. 2021.

“Landscapes and Logics of Extractivism”, in Thresholds 49: Supply, MIT Press on behalf of the School of Architecture & Planning, MIT, Cambridge, MA, 2021.

“Black Ecologies: an opening, an offering”, MARCH: a journal of art & strategy, issue 1, St. Louis, MO, Oct. 2020.

“To the pigeons on my balcony: a love letter”, CC: World, Haus der Kulteren der Welt, Aug. 2020.

“Reflections on Truth as Theatrical Fiction”, in Things We Do Together. The Post-Reader, Ujazdowski Center for Contemporary Art (Berlin: Mausse Publishing, 2021).

“Seeing Culture through Fossil Fuel Infrastructure”, in Look for me all around you, Claire Tancons, ed., Sharjah Biennial 14 (Sharjah: Delmonico/Prestel, 2019), 331-349.

“Between You and Me”, with Kenneth Pietrobono, Art Practical, 24 Jul. 2018

“10x10 Questions for 2018”, Blok Magazine, 15 Jan. 2018

“Zombifying Neighborhoods: The Cultural Ramifications of Gentrification in New Orleans”, Shelterforce Magazine, August 2017 (author as Blights Out)

“The Black Market: Kevin Brisco, Jr. at Good Children Gallery”, 28 Jul. 2017

“Ashe to Amen: The Enduring Spirituality of People of African Descent in New Orleans”, Ashé Cultural Arts Center/ Efforts of Grace, Inc., New Orleans, US, December 2015 (designer, editor)

The House That Herman Built, Merz & Solitude, Stuttgart, DE, June 2014 (designer, author, editor)

“Mary Ellen Carroll”, “Pieter Hugo”, “The Propeller Group and Christopher Meyers”, and “David Zink-Yi” in Prospect.3: Notes for Now, Prestel Publishing, 2014 (author, catalogue essays)

“Performing Bare Life: Occupying the Liminality between Civilizations”, Krytyka Polityczna, Special German ed. prepared for “global aCtIVISm”, Karlsruhe, DE, 2014

“Occupy Museums”, Artists & Activists 18, Printed Matter, Inc., 2012

Untitled photographs, Human Rights in a Global Context, 1.6.1.1, 2.1.5, and 3.2, Educatis: CH, 2010

“Louisiana’s Vital Wetlands”, The Washington Post, 25 Jul. 2009: A16


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All images and texts on this site are the creations of Imani Jacqueline Brown, unless otherwise noted, e.g. photodocumentation of works or collaborative projects.