Imani
Jacqueline
Brown

Black Ecologies,
2018 –

1. Black Ecologies

2. Unraveling Industry

       3. To the pigeons on my

balcony: A love letter

4. The Remote Sensation of Disintegration

5. Will the river remember the land we lost?

6. Fossil Free Fest

Blights Out,
2014 – 2018

1. Blights Out

2. Under Water (1731-2001)

3. The Living Glossary

4. Blights Out for Mayor

5. Blights Out for President

Occupy Museums,
2011 – 2018

1. Occupy Museums

2. Debt of 500 Artists  Largely Owned by Five Nongovernmental Economic Superpowers (After Hans Haacke)

3. Debtfair

&c.

1. Forensic Architecture
2. Truth as Theatrical Fiction

3. From here I can see this era fade at the edges of my vision

4. Solitary Gardens

5. The House that Herman Built

Writing,
2014 –

1. MARCH Issue 02: Black Ecologies
2. Black Ecologies: an opening, an offering

3. To the pigeons on my balcony: a love letter

4. Should we consider fossil fuel extraction an unjust enterprise?

5. Between You and Me (parts 1, 2, and 3)

6. The Black Market: Kevin Brisco, Jr.

7. Zombifying Neighborhoods

8. Performing Bare Life

Bio,
1988 –

Imani Jacqueline Brown is an artist, activist, and researcher from New Orleans. Her work investigates the 'continuum of extractivism', which spans from settler-colonial genocide and slavery to fossil fuel production, gentrification, and police and corporate impunity.
        In exposing the layers of violence and resistance that comprise the foundations of US society, she opens up space to imagine a path to ecological reparations.

       Imani is currently a researcher with Forensic Architecture, an economic inequality fellow with Open Society Foundations, and the editor of the second issue of MARCH, a journal of art and strategy, themed around Black Ecologies.
       Imani’s work has been presented internationally, including in the US, the UK, Poland, Germany, and the UAE. She makes videos, organises public actions, delivers testimony to organs of the United Nations, occupies billboards, writes polemics, performs lectures, and uses counter-cartographic strategies to unravel the spatial logics used by colonial-corporate agents to make geography, unmake communities, and break Earth’s geology.
        Imani received her MA with distinction from the Centre for Research Architecture (CRA) at Goldsmiths, University of London, in 2019 and her BA in Anthropology and Visual Arts from Columbia University in 2010.